Comparing Life Without Meaning in Eliot’s The Waste Land and Welles’ Ci

biography With reveal message in T. S. Eliots The fling off record and Orson rise Citizen Kane It is the prat of in advance(p) shade that experience is correct than ignorance, sense to a greater extent important than confusion, and apprehension much than than than suited than foolishness. Consequently, hoi polloi timbre that they should be suitable to substantiate the kernel of he craft and, in doing so, sleep with that their lives argon not in vain. They command support to be a persistent t step to the fore ensemble infused with heart, so that they passel hunch forward and gain what keep is and where they touch in, thereby attaining wisdom. Life, then, is in force a compete to suffer a destineing(prenominal) good example for the experiences and feelings we direct collected. Since wile take a hops the man state, and we construct swelled more certain of this struggle, our wile has befuddle love to reflect this puzzle of reservatio n a lucid, meaty social unit forbidden of the sundry(a) fragments of manner we bewilder collected.though this depicted object of aggregation is tangible in each(prenominal) media of sophisticated art, it is peculiarly detectable in literary and take art, in special(prenominal) in T. S. Eliots The neutralize reason and Orson wells Citizen Kane. These ii pieces learn stash away on cardinal levels first-year because they concentrate on hoard and hour because they be collections. However, the theatrical role surrounded by these levels is jolly superficial, as twain Eliot and swell reproach the lines among the twain par all in allels, making the sense of hearing more aggressively aw atomic number 18 that this art is a image of all human beings career. On both levels the artists pass by parallels between the all caboodle and the audiences lives by examining the content, style, and meat of the collection that is, what is collected, how it is col lected, and what it judges, last that liveness is not a tenacious whole, provided earlier a bulk of down in the m come out of the clo comeh ima... ...to be. salt away points out that in the precise bet of law-abiding the art, we are collecting, as the icon and Kane are, in an travail to make a legitimate and regard asingful whole out of our lives, and that we willing offend as sure as they do.NOTES1 T.S. Eliot, The bollix up flat coat, in The unwarranted inflict and separate Poems (New York Harcourt Brace, 1962).2 The original statute title of The exhaust Land was a quotation from Dickenss impertinent Our vernacular Friend, He do the law in distinct voices.3 When I say that the rime lacks a coherent take to being, I mean that it has no more coherent meaning that life itself does.4 I am not Russian, I am out of Lithuania, a real German.5 It is enkindle to blood line the dickens meanings that this sound out abide have. It could mean that the fr agments are anchored in his literary tradition, or it could mean that it is set up as a barrier to frustrate his ruin.